Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
Frederick M. Nicholas, a war hero, attorney and real estate developer who shaped several of Los Angeles’ major arts and public service institutions, died peacefully at his home Saturday. He was 105.
Nicholas led the design and development of major L.A. landmarks, including the Museum of Contemporary Art and Walt Disney Concert Hall.
Surprisingly enough, Nicholas discovered his love of the arts in law school at the University of Chicago. “When I went downtown, I saw an art gallery for the first time,” he said in a 2022 YouTube interview with Blake Meidel, a young film creator. “I went inside and I looked at it and I was overwhelmed.”
When he returned to L.A., where he had studied journalism at USC, Nicholas took classes in the visual arts and built a law practice that included representation of artists and galleries. He took on several distinguished roles in the arts community, serving as MOCA’s chairman and vice chairman for a cumulative 11 years and a life trustee for the remainder of his life. Nicholas was instrumental to the development of the Geffen Contemporary at MOCA and Walt Disney Concert Hall.
It is little wonder that he was nicknamed “Mr. Downtown Culture.” In the 1980s, Nicholas led the city out of a cultural stasis and turned it into a global cultural and architectural powerhouse.
“Fred, we literally wouldn’t be L.A. without you,” former mayor Eric Garcetti said in a message to Nicholas on his 100th birthday.
Renowned architect Frank Gehry told The Times that Nicholas’ involvement in MOCA “was too good to be true.”
“He is an extremely smart man, and he’s sensitive. He’s been involved in and interested in the arts as a collector,” Gehry said in 1982. “He understands both the architecture and business of development. He knows all the players involved with the museum, and he has their respect. When I heard he was involved I thought it was too good to be true. I know he can pull it off.”
Nicholas negotiated with Giuseppe Panza of Varese, Italy, to acquire the Panza Collection. Including works from Mark Rothko, Franz Kline and others, the art now forms the core of MOCA’s permanent collection.
As chair of the Walt Disney Hall Concert Committee beginning in 1987, Nicholas headed a committee to find an architect (Gehry was eventually hired for the coveted gig), fundraise and plan the building process.
Over 105 years, Nicholas engaged with some of history’s greatest artists. “I met Pablo Picasso and I had dinner with him,” he told Meidel breezily.
Nicholas’ influence in L.A. extended into the realm of public service as well. After an incredibly successful law career, he shifted to pro bono work. “I thought that lawyers should do something to help the poor,” Nicholas told Meidel. Nicholas founded Public Counsel in 1970, which provided legal support to vulnerable people, including veterans and unhoused families, in what is now the largest firm of its kind in the U.S.
“Public Counsel really is his greatest legacy,” Nicholas’ son, Anthony Nicholas, told The Times on Tuesday. “They are still helping people today.”
Nicholas was born on May 30, 1920 in Brooklyn, N.Y. When he was 14, his family moved to L.A. In 1941, Nicholas served in the Army and was discharged five years later.
“One of the things that made me successful in law was that I was always in a hurry. I was always eager to move because I felt that I had lost so much time in the war. I had to make it up,” Nicholas, one of the oldest and most decorated WWII veterans, said in a retrospective on his life and work at age 100.
Nicholas was also adored by his family. Anthony recalled his father’s “beaming smile,” “great, great energy” and “the love he spread around the world.”
Nicholas is survived by his children, Deborah, Jan and Anthony; Anthony’s wife Mona; six grandchildren; three great-grandchildren; and sister Helen Devor.
